![]() This article shows how visual sonority in sign language, discussed in Perlmutter (1992 PERLMUTTER, D. The aim of the research reported in this article is to understand the way in which Visual Sonority works in Brazilian Sign Language literature, specifically focusing on texts that are performed in different contexts, such as on video screen or stage. Sonoridade visual literatura Língua Brasileira de Sinais Foi possível perceber que, além das juntas, os ENM, o ritmo e a simetria têm um papel importante para a sonoridade visual e influenciam a experiência do espectador. Como resultado, foram observados três tipos de “sonoridades”: foco em todo o corpo da cintura/ tronco para cima e nas mãos. Assim, observou-se, nos contos sinalizados “O Papagaio do Rei” e “Bolinha de Ping-Pong”, como são ressaltados determinados sinais a partir das juntas, dos ENM e outros recursos e a influência do tamanho do espaço e a distância da plateia na sinalização. Este trabalho foca a sonoridade visual na literatura em Língua Brasileira de Sinais e discute como elementos manuais e elementos não manuais (ENM), ritmo, simetria, escala dos sinais e efeitos do vídeo têm relevância para este conceito. Cambridge/London: Massachusetts Institute of Technology, 1998., perceptualmente, um sinal pode ser visto a grandes distâncias e sua sonoridade visual é mensurada com base nas juntas envolvidas. ![]() A Prosodic Model of Sign Language Phonology. diz que a saliência visual no movimento joga um papel nas línguas de sinais semelhante à sonoridade nas línguas orais. A Sonority Cycle in American Sign Language. como perceptibilidade, a propriedade que tem o movimento em comparação a um segmento em que as mãos permaneçam em uma única posição. Sonority and Syllable Structure in American Sign Language. Visual sonority Literature Brazilian Sign LanguageĪ noção de sonoridade nas línguas de sinais foi tratada por Perlmutter (1992) PERLMUTTER, D. In addition to the joints, non-manual features, rhythm and symmetry play an important role in visual sonority and influence the viewer’s experience. Three types of ‘sonority’ were observed: in the movement of the whole body on the stage, in the size of arms and trunk movement, and in the hands. Two signed stories “The King’s Parrot” and “Little Ping Pong Ball” were analysed, highlighting specific signs in which the use of joints, non-manual features, and other resources are influenced by the size of the performance space and the distance of the audience from the signing. This work focuses on visual sonority in literature in Brazilian Sign Language and considers the relevance of manual and non-manual elements, rhythm, symmetry, the scale of signs, and the effect of video on this concept. Cambridge/London: Massachusetts Institute of Technology, 1998., perceptually, a sign is visible from considerable distances, and measurement of its visual sonority is based on the joints involved in its production. states that the visual salience of movement in sign languages plays a role similar to sonority in spoken languages. as perceptibility, a property of a segment that uses movement rather than one in which the hands stay in the same position. The videotapes were made at concerts, master classes, lectures, interviews and special sessions.The idea of sonority in sign languages was treated by Perlmutter (1992) PERLMUTTER, D. ![]() It was clear that this would require an extended vocabulary for notation, expanded technologies for transcription and music typesetting and a new vision in music publishing." The transcriptions contained in Michael Hedges/Rhythm, Sonority, Silence were developed from videotapes of Michael Hedges recorded between 19. The challenge was to create a guitar book that would give the complete picture the composer's musical intent and a complete technical description for performers. "I first talked with Michael Hedges about working with him to produce a book of his music in 1986," said Stropes. ![]() This remarkable book is the culmination of an eight-year joint effort between Michael Hedges and John Stropes, a leading teacher and author of other critically acclaimed finger-style guitar books.
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